Team Superfriends|Fighting the good fight

Where in the world is Bruce Wayne? Or, to be more accurate, when in the world is Bruce Wayne?

It has been nearly a year since comic book readers last saw Wayne, better known to most as the original Batman. While battling a god-like villain named Darkseid during DC Comics’ Final Crisis series, Batman was hit by an energy beam that sent him hurling out of control to an unknown place in time. Bruce Wayne hasn’t been seen or heard from since. Until now.

In 2010, DC Comics will launch a new series created and written by legendary comic book scribe Grant Morrison. Batman: The Return of Bruce Wayne finds the original Batman trying to reclaim his memory, his identity and his proper place in time and space. The series marks the return of one of comic book’s most iconic characters and, Morrison says, begins an important new chapter in a complex series of Batman stories that the author has been developing and intertwining over the past five years.

Morrison recently took time with USA TODAY’s John Geddes to answer questions about the upcoming series and provide some insight and hints about where the story will lead.

Q: In Final Crisis, the original Batman, Bruce Wayne, is hit by the Omega Beam during a battle with the villain Darkseid. This beam sends Wayne spinning into the unknown, cast off into the time stream. He is thought to be dead by both friends and enemies. In the aftermath, the role of Batman is assumed by the original Robin, Dick Grayson, and the role of Robin is assumed by Bruce Wayne’s son, Damian. What else should readers know as a lead-in to The Return of Bruce Wayne?

A: Could there possibly be anything else to know after that masterful summing-up?

To be honest, I don’t think readers need to know even that much in order to enjoy Return. Although it’s also the latest chapter in the long-running, “definitive” Batman epic I’ve been trying to pull off since 2005, Return has been structured and written to read as a complete story on its own — everything a new reader needs to know will be in the pages of the book itself. Read all the graphic novel collections together, however, and a much bigger, more complex and involving story will emerge.

Return is a fairly intricate time-travel story in which the world’s greatest hero, the optimum man, is up against the supreme challenge to his ingenuity and skill. How does Batman get out of the ultimate trap? It has a mystery and an apocalyptic countdown going on, there are some major twists and reveals, and it sets up big changes to the Batman universe status quo.

Q: It’s my understanding that Return will follow Bruce Wayne through different eras as he makes his way — presumably — back to the modern day. Any hints on which eras we might see Bruce exploring in his quest to find his proper place in time?

A: The first episode is set in the Late-Paleolithic Era, the second is in Pilgrim-era Gotham Village, and we also get to see Gotham in Western or noir style.

Each of the stories is a twist on a different “pulp hero” genre — so there’s the caveman story, the witchhunter/Puritan adventurer thing, the pirate Batman, the cowboy, the P.I. — as a nod toward those mad old 1950s comics with Caveman Batman and Viking Batman adventures. It’s Bruce Wayne’s ultimate challenge — Batman vs. history itself!

I’ve tried to thoroughly research each time period so that the stories work not only as at least fairly plausible reconstructions of life in the real 17th or 19th centuries but also as romanticized “pulp” versions too, while at the same time referencing the more extravagant history of the fictional DC Comics Universe in the background.

Q: How many issues are planned for The Return of Bruce Wayne series?

A: There are six issues of Return. The first one’s 38 pages long, the rest are 30.

Q: Without giving away any spoilers, how will/would the return of Bruce Wayne to the present day affect the dynamic of the current Batman & Robin duo? Might we see Damian Wayne develop into a new character?

A: As I mentioned above, the status quo of the Batman universe will be changed completely after this book. This is the beginning of a new and different take on the idea of Batman as we approach the 010s — the latest of these ever more fleeting and flimsy modern decades!

Q: There are certain readers out there who will undoubtedly complain about yet another rebirth or reincarnation of a famous comic book character. What about Return is going to be different from these past stories in which iconic characters have been brought back to life?

A: As we saw at the end of the Final Crisis book, Bruce Wayne was never dead, only AWOL, so this was never a literal “back to life” story. And I like to think the series will have a wider general appeal than some of the continuity driven “death and rebirth”-type stories we’ve seen before.

This is more for me about putting Batman/Bruce Wayne through my own, and my collaborators’ version, of the ultimate test of who and what he is. So far I’ve had him overcome the Devil, Madness and Death; now we see him, truly lost, amnesiac, and stripped down to basic human survival mode in some extremely hostile environments and unfamiliar situations. He’s the best fighter in his world, he’s one of the smartest and most driven men who ever lived, but we’ve seen him outwit the Joker 10,000 times. This was a way of taking the character off the grid, as they say, and reminding readers what kind of man he is and what he’s capable of. If you wonder why Batman is so cool — here’s why Batman is so cool.

This is an attempt to look at a very familiar character from some unusual angles. And it’s about Bruce and who he is — I want to remind people how the man and the mask are inseparable parts of a terrifying whole.

Q: You’re a writer who has never been afraid to experiment with storylines involving major characters. What are some of the challenges you face when developing stories specific to such a high-profile character as Batman/Bruce Wayne?

A: The challenge is to keep everything familiar while making what appear to be far-reaching changes and having characters react as if those changes are permanent!

Batman needs to be eternally young, renewed like some pagan Fertility King to suit the changing tastes of his audience in each fresh generation. Batman can never grow old or die — and stories, no matter how good, which depict these events cannot be considered “canon.” Batman was born in 1939 and would now be a sprightly 70-year-old if he aged like the rest of us. The “real” Batman, however, enjoys godlike immortality and must always be 30-ish moneyed orphan, Bruce Wayne, who dresses as a bat to fight crime. The trick is to tell stories which expand the limits of how far you can go and still maintain the integrity of the basic idea. And everything has to be done with the knowledge and understanding that I — as the current writer — am only a tiny link in a long chain of all the people who already have or will one day tell stories about Batman.

Q: Your writing for Batman over the years has seen you interpret the character through a variety of lenses (a Zen-warrior, a darkly philosophical detective, the traditional hero, etc.) With Return, what type of Bruce Wayne are we going to see?

A: All the elements that make up this great pop icon will be upfront — his intellect, his detective skills, his martial arts abilities, his heroism and compassion and grit. His chiseled cheekbones! In this series, in particular, he represents us, humanity, at our very best and most resourceful. And, in the first issue, we get to see the many advantages ninja training has over the traditional caveman grunt-and-lunge technique.

Batman’s story begins with Bruce Wayne, kneeling by the bodies of his murdered mom and dad. To me, at the most basic root of Batman is the story of the ultimate survivor. The Return of Bruce Wayne— a title that becomes increasingly ominous as the story progresses — puts that aspect of Batman under the microscope.

Q: Themes play such a huge role in most, if not all, of your writing. Is there an overarching theme running throughout the story of Return?

A: Survival. Not only the physical survival of our hero but the survival through time of memories, grudges, artifacts, ideas. What persists? What endures?

Q: Over the years, you’ve been involved with some of the most well-known and beloved characters out there — Batman, Superman, JLA, X-Men and Fantastic Four, just to name a few. Are there other iconic comic characters you’d like to reinterpret or for whom you’d like to develop storylines?

A. I’m very happy with the take on the Captain Marvel/Shazam universe that appears as part of the upcoming Multiversity series of books, but that’s it for the moment. Along with Geoff Johns and Marv Wolfman, I’m part of the consulting team at DC Entertainment involved in rethinking some of DC’s big characters for the screen. So between that and the comics, I think I’ve had my say on just about every comic book character I’ve ever had any interest in.

Q: Who else comprises the creative team attached to Return? Can you speak about how it’s been to work with this team?

A: I haven’t seen any of the art yet. The book launches in the summer and each issue is drawn by a different artist, so that side of it has barely got underway. I know Chris Sprouse is penciling the first one, so I’m fairly confident it’ll be the best comic set in the Late Paleolithic Era that you’ll have seen for a very long time. I’m a huge fan of Chris’ work, so I’m keen to see what he’s done. I think Frazer Irving might do the second one, cementing his reputation as the comic world’s most prominent Puritan Goth Adventure artist.

Q: Aside from Return, what new work can readers look forward to from Grant Morrison in 2010?

A: Mostly Batman work — I’m doing at least another year of stories with Dick Grayson and Damian Wayne in the Batman and Robin book before that book starts to dovetail with Return and we rush headlong and screaming into the next big, earth-shattering, game-changing twist in the life of Batman.

I’m slowly working my way through the Multiversity sequence of books and loving it. I’ve set myself the task of making each issue the best superhero story I’ve ever written, so I’m growing them patiently and all together before I hand the scripts out to artists.

There’s also the Joe the Barbarian book with Sean Murphy, which starts in January at Vertigo and is my first new, creator-owned comic for a while.

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What do you think of the plans for bringing Bruce Wayne back into the fold? Let us know below. If your interest is piqued, be sure to check back soon! We’ll let you know as soon as you can pre-order the first issue of Batman: The Return of Bruce Wayne.

In the meantime, check out all our Batman stuff.

One of the most exciting new offerings this month is Logan’s Run: Last Day, a 24-issue limited series from the folks at Bluewater Studios.

Having discovered the Logan’s Run novel by William F. Nolan and George Clayton Johnson back in high school, I was pretty psyched to hear about this adaptation. It looks like this adaptation will stay true to the novel, rather than the 1976 movie starring Michael York.

I had the chance to interview William F. Nolan about the new adaptation, his plans for other series with Bluewater, and the state of a new Logan’s Run movie:

TFAW.com: It is nice to (virtually) meet you, Mr. Nolan.

William F. Nolan: Thanks, glad to (virtually) be here!

TFAW.com: We were really excited to hear about Logan’s Run: Last Day, the new comic book adaptation of your novel. How did the comic come about?

Nolan: My good friend and author/filmmaker Jason V. Brock (Charles Beaumont: The Short Life of Twilight Zone’s Magic Man) and his wife Sunni saw an article about Bluewater in the local Vancouver, WA paper. Jason does some agenting on my behalf and contacted Darren G. Davis, the president of Bluewater.

We scheduled a meeting at their offices in Vancouver, and they were very excited about the Logan property. Jason (who is also an artist and the Art Director/Managing Editor of Dark Discoveries magazine) and I assisted in working on the designs and costumes for some of the characters, which they are using in the final comic. Also, Jason had come up with a great storyline for a new Logan book we are outlining that uses the original book and expands on the backstory, updating it significantly.

That’s where Paul J. Salamoff comes in: he was chosen to adapt the novels into comic format, but none of us really wanted a “straight” adaptation of the books–it’s been done by MGM, Marvel, Malibu Graphics, and so on. It was time for a fresh take on Logan. Paul was perfect for the job. Not to mention that the four of us–Darren, Paul, Jason, and myself–all work well together and have gotten to be friends.

TFAW.com: Logan’s Run isn’t a stranger to comics. Other publishers have done mini-series adaptations over the years. Is there something special in today’s world that prompted you to move forward with an adaptation?

Nolan: I was not happy with Marvel or Malibu’s versions. I very much disliked the art in the Malibu edition, though they were faithful to the books. As far as the Marvel version, it was just too “superhero”: Logan is a real character, not a superheroic one, and I was never that pleased with it. In addition, they were really adapting the MGM movie, which is flawed, not the book that I wrote with George Clayton Johnson.

Given the current trend of Hollywood getting interested in comic book works, I feel that this is the perfect time to get a really great version of Logan out there . . . and this is the one.

TFAW.com: To what degree are you involved with the Bluewater Productions adaptation of Logan’s Run?

Nolan: I have final creative say-so over the artwork and storyline, as well as writing for some of the other titles we have planned.

TFAW.com: Will Paul Salamoff be staying pretty close to the original story or have you given him some freedom to move about in the world you’ve created?

Nolan: Paul is working off the outline that we provided, but has added a couple of elements. He is actually being faithful to the first two books (Logan’s Run and Logan’s World) at the start of the series. All of us are excited about the directions that we could go after these first six or so issues.

TFAW.com: What has Daniel Gete brought to the table in terms of art for Last Day?

Nolan: His work is very good. Jason and I both like his rendering and layouts a lot. His vision is in concert with ours: strong and direct–perfect for Logan.

TFAW.com: For someone who might only be familiar with the 1976 film version of Logan’s Run, what differences can they expect to see in the comic?

Nolan: We wanted as many things as possible to be different from the film, for legal and artistic reasons. We went back to the source material as much as possible, and built on that. You’ll see very soon!

TFAW.com: Awhile back, I heard that the series was scheduled for 24 issues. Is that still the case?

Nolan: Yes, 24 issues is correct. We have a lot planned for the series.

TFAW.com: Are you planning on working with Bluewater Productions on any other series?

Nolan: Yes. I signed on to do have an adaptation done of Sam Space, my future-noir character, for a run of four to six issues, and Dark Universe, a run of six issues utilizing my horror stories as source material. I am slated to adapt at least two of these, and Jason Brock has been tapped to adapt three of my stories.

TFAW.com: There have been whispers of a remake of the Logan’s Run movie. Are there any plans to move forward on a film project?

Nolan: It’s more than a whisper–it’s been in “pre-production” for 13 years! Joel Silver is involved, as well as Bryan Singer, among others. They still plan on making it, but when . . . that is the question. We’re hoping that the direction that we plan on taking the comics will light a little fire under Hollywood, as well as give them a bit of direction for a possible way of doing justice to the spirit of the books. It is a great candidate for a remake, as the technology has improved dramatically since 1976 and they could really do a lot with it.

TFAW.com: One last question: At TFAW.com, we’re always looking for ways to go above and beyond for our customers . . .

Nolan: I think I know what you mean . . . would you like some signed copies of the comics? I’m sure Darren would be happy to supply some for you guys, and I love to sign for fans! How about 15 or so copies for you guys?

TFAW.com: Absolutely. I think our readers would like that very much. Thank you for taking the time to chat with us about Logan’s Run: Last Day, and thanks for signing some books for us!

Nolan: No problem: any time!

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You heard what the man said, we’re getting 15 signed books, and we’re offering them up to 15 random people who pre-order any Logan’s Run: Last Day issue by 1/24/10. Winners will be announced in the TFAW.com Newsletter on 1/28/10!

In the meantime, check out the four-page first look and whet your appetite. ;0)

Via Marvel
As the buzz surrounding the upcoming Iron Man 2 film heats up, the House of Ideas preps an exciting new limited series to usher the brand-new Whiplash – one of the film’s villains – into the Marvel Universe.

“The story begins with what appears to be Iron Man attacking a small village in Russia,” says co-writer Marc Guggenheim of Iron Man vs. Whiplash #1, out November 4. “He wipes out women and children. The whole town, basically, including the father of our eventual antagonist, inventor Anton Vanko.”

“Vanko counter-attacks and damages some of the armor, which he eventually fashions into his own set of weaponry which he hopes to use to enact payback. Meanwhile, Tony Stark is prosecuted by the International Criminal Court.”

The ICC prosecutes despots and war criminals, guaranteeing a story set on a large global scale. And in-continuity. Guggenheim also assures readers that Stark’s plate quickly fills up with a bit more than he can chew, thanks to the series’ far-ranging view.

“Tony is in Montana on the job when he’s arrested by none other than the Crimson Dynamo and the Red Guardian, who are sent on a bilateral mission to arrest Iron Man for the attack on the Russian village,” he says.

Iron Man fans will remember the original Whiplash, one of Iron Man’s very first foes from his early days as a super hero. Iron Man vs. Whiplash introduces a very different man who wears the name – and who poses a very particular, very personal threat to everyone’s favorite billionaire industrialist.

“Anton has no connection to the previous Whiplash,” Guggenheim explains. “Eagle-eyed readers might wonder if he has a familial connection to Ivan Vanko, the original Crimson Dynamo, but that’s really a story for another time.”

“As for the threat he poses to Tony…he blames Tony for the death of his father and the destruction of his entire village, including his friends and neighbors. And he’s determined to use Tony’s own technology as the tools of his revenge.”

In terms of powers and abilities, the new Whiplash represents a man who learns from his enemies and possibly even improves on their own weapons.

“What makes this version of Whiplash especially deadly is the fact that his technology comes from Tony Stark’s Iron Man tech,” says Guggenheim. “So it’s an even match, power for power, strength for strength. But Vanko is motivated by vengeance and that’s the added element, the x-factor – can I say that in a non-mutant book? – that gives him an edge over Tony.”

Tony Stark and Anton Vanko aside, one of the greatest participants in Iron Man vs. Whiplash might very well be Guggenhiem’s co-writer on the series – producer Brannon Braga, of “24″ fame.

“Brannon brings an incredible mind for all things action and sci-fi – as his work on ‘24′ and the ‘Star Trek’ franchise demonstrates,” he notes. “Honestly, for me, it’s like working with a legend. We have a really easy-going style, just batting ideas around back and forth.”

“And I have to say, he’s picked up the art of comic book writing a million times faster than anyone has a right to. It’s truly frightening to watch how he’s absorbed the form like a sponge. It’s humbling, actually. The guy is just that smart.”

You can check out all the action this November in Iron Man vs. Whiplash #1 – neck braces optional!
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The first two issues of the Iron Man vs. Whiplash mini series are available for pre-order and will be the perfect way to get you psyched up for Iron Man 2 in theatres May 7, 2010.

Sometimes you happen upon a new title that at first makes you scoff at the premise. Then, after thinking about it, you just know you’ve got to check it out–if for nothing more than to satisfy your curiosity. That’s why I’m jazzed about Cowboy Ninja Viking, from Image Comics.

Here’s the lowdown: It started with Dr. Sebastian Ghislain: rogue psychotherapist/covert op/DJ. Tasked with creating a counter-intelligence unit, he turned to those long thought useless to society . . . patients with Multiple Personality Disorder.

These agents became known simply as Triplets. Misguided? Yeah. Impractical? Sure. But did it work? Absolutely not.

Now someone has located each Triplet and created a band of ridiculously disturbed, but highly effective, assassins. Our only hope? A Triplet known as Cowboy Ninja Viking!

I’m not sure about you, but they’ve definitely piqued my interest. This could be one of this year’s next big hits, so make sure you pre-order your copy of Cowboy Ninja Viking #1 soon!

What do you think about this book? Do you think it has promise too? Not digging it? Let us know below.